Enso Two

 

Enso One

 

Worms

Rectangle

Remnants

a modest rose

flowering, because that is its nature

energy springing out to be

but not claiming attention or demanding

tattered, tentative

but fully itself

—Sarah Webb

Jesus in Milan

Social Distancing in Milan Church

Ivanka and Kim

Covid Chart

Ruben E. Farias, COVID

Scraps for Last Piece

Starry Nite

The earth is a collection of discrete objects, each of which is a collection of discrete objects, until finally we just have energy. This is the way of the universe. And these collections are constructed. When some say "no thing" maybe they should say "no thing, just collections" while recognizing that the collections aren't really there but are just in our minds.

Dog

Nail Clipper

Man on Side

Teeth

To Kim Mosley's “Teeth” 

Lively, happy, the Earth. 

But, no, a screaming face 

a furry man with an extra arm sending out waves of energy

a gaping whale and a gaping ghost.

Near them, coming up and out, a camel 

a man-phoenix 

a slug, a horn, the numerals 2 2 7.

Reality in all its ways—real and unreal,

spinning into numbers and dunes

breakfast and the phantasmagoria of the mind.

Out of the movement of water 

a whole that lasts a moment or a day.

—Sarah Webb

Crowd

My Kandinsky... from point to line to space

Magnifier

Sprayer and Woman

Sprayer

Lid

Mona

Buddha's Flower

I’m not sure how this all happened. I started school when I was three or so. Now it is 71 years later and I’m still in school. I wonder what it would be like to not be in school, to not be learning, to not be starting from zero every morning? I wonder what it would be like to know something? To really know something? Not to just repeat what someone has told me but to understand it deep in the recesses of my heart and soul? Like “intimacy.” I probably first heard that word in my teens. And I’ve had some brief glimpses of connection. But being intimate with life itself is especially trying. There are those precious moments but I also feel like there are a million miles between where I am and the connection for which I long.

I don’t really want this challenge to be met. What would I do then? I thought that I wanted knowledge. Later I would have settled with understanding. Now it is something different. I think the best way I can describe it would be “not separate.” The Buddha held up a flower. One of the monk “gets it.” Can anyone else really “get it”? It is one of those teachings, without a word, where there are connections ad in·fi·ni·tum. Is that intimacy? Did Buddha and his monk share a realization with a glance. Was there any separation? Was the Buddha the flower? Was the monk the flower? Was the flower the flower? Were they all one, not separate, and also not one? So back to school now, feeling like the greyhound that is just inches away from that rabbit. So close and yet the faster he runs, the faster it runs. Is that fair?

3 Sleeping Screws

Jesus's Elixir

Face

Curvilinear/Rectilinear

Breaking

The curve of the earth has broken

under a weight of thought.

Stone holds fast

as it has from ancient beginning

but the world of soft bodies

townships, leaves and blossoms

is slashed and scattered.

We have given our faith

to what can be explained,

lay thought over living reality.

Plan and ambition justify

fire and boiling flood and poison,

the death of the land.

Spirit withdraws.

—Sarah Webb

Another View

dark waves, everything changing, fragments of an old life carried along

—Sarah Webb

Kim: Nice. I keep messing around until I see something that speaks to me. I guess it would be like throwing scraps of paper down until you like the arrangement. 

Sarah: That make sense, a bit of a found art process.

Kim:  Is it different than writing? You throw down words until they make sense. Or is there more?

Sarah: You have hit a button for me. I am often thinking where do the words come from, the poem comes from. And who writes it. It's not that different from visual art. Where did that image come from? what does it mean for you and why did it come up?

As for writing being throwing down words until they make sense, I would say, that's not it at all. 

We can make found-writing poems, but that's only one corner of writing. I did one out of a state sign on a creek that had a history related to the Civil War and another about statements and objects in a classroom related to the theme of apathy. Much like your nephew(?) selecting from data until a point emerges. But what we are responding to is a similarity to forms we use in created writing and a meaning that emerges. You in your present artistic project look at a series of randomly (?) created images and pick one that resonates. It resonates because you can see a symbolism in it or point to it and at least an impact from the visual composition. So in that one little corner of art and of writing, it's a lot alike. I guess I'd say that's letting a lot of random input come in until something flows by that grabs you because it doesn't feel random, but, as you say, makes sense. 

But as far as writing created from scratch (as opposed to found), there's no throwing down words at random. Even the first beginning phrase or word, which might come to you, comes with at least unconscious sense to it. Or at most, if it is truly random, is immediately connected with symbolism and associations. We react to a found object or a random word with a Rorshach connection--the shape becomes a butterfly or 2 faces or whatever, constant creating of meaning. And from that seed a sentence forms and then another, following the meaning that appears. 

I would say words do not come at random. They are meanings that elaborate themselves through associations and memories and ideas and rhetorical structures (like story or contrast or cause and effect or description or image) and even things like sound similarities. And they originate below the conscious mind out of something that is not yet words (T.S. Eliot--"a frog voice waiting to be born"). Perhaps from the primal void, the dynamism that is constantly spilling from formless potentiality into being. That surge becomes partially formed into emotion or dream-image or movement. and then it comes more fully into form shaped by words and structures. 

A found poem or found art would have to be a variation on that. Something in the unconscious recognizes a correspondence between the random image and some emotion or imagistic symbol that it can give voice to. It "makes sense." We agree on that part, the image making sense to us. I just disagree with the throwing words at random part. 

Hope that is not just a big jumble of words.

Kim: I love what you wrote… and I disagree, of course. At least I think it is not either or. Just take the thoughts that pop into our head. They seem random, but we can follow them or ignore them or something in between.

It St. Louis, sometimes our writing group would pick a book randomly and pick a page and paragraph randomly and then that would be our prompt.

But that’s just the beginning. It would be like dropping a photographer out of an airplane. That’s the beginning. Then she would explore that landscape and develop it from his random beginnings.

Rabbit

Rabbit (blog.kimmosley.com) I took this through 100 iterations and then decided I liked it as it was collaged. Tomorrow I'll show the final version... maybe.

Elephant