Monkey on my Back

My favorite landscapes, as a kid, were polar opposites. On the one hand, there was the frantic and busy State Street in Chicago. I was a little midget to the grown people and screeching cars. And I loved it. It pumped my adrenaline. It was a collage catering to every sense, from garish colors to cheap perfume. Women wore so much makeup that it almost fell off. And I admired how they could walk with their high heels. Everyone was in a hurry. I was lost in the chaos, and yet I felt completely at home.

Somewhere I had heard about dope, and how if you ever messed with the stuff you'd be addicted for life. One day, walking around on State Street, a man pinched my arm. I was convinced he had given me a shot of heroin, and that I was now a doomed addict. I knew that the shot would wear off, but I also knew that with the shot came the knowledge of where to get my next fix, so far.

In the summers we went to a little beach town in Oregon. There was a vast ocean there, that went on all the way to the horizon. The beach was deep and long, and the sand sung as you walked in it, due to a special crystalline structure. The little town was as different from State Street as a place could be, and yet I loved it just the same. I could hide in each of these spaces, and I didn't have to say anything. I could get lost in the immensity of either space, feeling both a complete stranger, and back to being in the womb.

How lucky to be able to experience man and nature, if there is to be a distinction. In the end, I am a small invisible dot on an infinite landscape—part of the whole—a whole as immense as I am minuscule.